Collection of images I've been working on.

Below is a collection of images I've been editing and reflecting on as I make my series of photobooks. The first one (all b&w work) is ready to purchase from HP Mag-Cloud for the super low price of $26.

Circumnavigation- The Black and White SAS Book.

Semester At Sea - The B&W Book.

Kyoto + Tokyo

 

Hong Kong

Shanghai

India

Kruger Park, South Africa
 

Ghana

Dominica

Continuing to explore.

There's rain on the horizon coming towards me. The sky is blue. I could go forever.

Lost in the Desert.

I missed the hot crunch of old untouched desert dirt underfoot.

The quiet click, the re-composition 

the exposure adjustment and another click 

I miss the feel of film dragging through my Leica. 

The uneven pavement is being explained to me through a grunting suspension not wanting to keep up its magic carpet pace. 

I coast the car to a stop to explore this dead empty place. 

A break between Vietnam posts for a few images I made in Worcester, MA during the few days I spent there this month.


New England; America. by Michael Potiker

Greenery. by Michael Potiker

Factory wall. by Michael Potiker

Crompton loom factory. by Michael Potiker
Chess King Warehouse. by Michael Potiker

Vietnam (Post 1 of 2)

Vietnam was a port where we lived with the constant specter of the "American War" or as we are used to hearing it, the Vietnam War.

I travelled extensively throughout Ho Chi Minh City (Saigon) and was given constant reminders of our past actions in the country. One of the most poignant and propagandistic of these moments was in the War Remnants Museum; this museum featured a plentitude of disturbing and dark "truths" about America's action in the war. What was particularly disturbing was seeing propagandistic language merge with curatorial convention. Photographs that we are used to seeing (and were captured by western journalists) were re-captioned for exhibition. A photo of a man being removed from his home was captioned "a girl pleads with GI's to "please not kill my father"". There was also a horrifying floor dedicated to the damage caused by our use of Dioxin based chemicals like Agent Orange to deforest Viet-Cong controlled jungle.

Below are a few photos from the museum:





Above you can see the type of images culled from the enormous milieu of images representing American policy in the mid 20th century. A bias perhaps?



A wonderful installation of Larry Burrow's "Yankee Papa 13" (Photo Essay from Time Magazine here: http://ti.me/KTRzgc)


The museum was very simply stacked. It laid a political base ground floor, then began to examine the conflict itself as visitors went to the second and third floors.





I'll be writing another post that has more images from the city itself as well as our journey by motorbike through the countryside to the Cu Chi tunnels.